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Mario Bauzá Interview, Tape 2

centro_1989-04-10_BauzaMario_1A.jpg
centro_1989-04-10_BauzaMario_1B.jpg

PBCore

Date Created

Description

Continuation of Ruth Glasser interview of Mario Bauzá. He talks about his style and the people who influenced him. A talented section player who rarely soloed, Mario Bauzá's main importance to music was behind the scenes as one of the main instigators of Afro-Cuban jazz, the potent mixture of Latin rhythms with jazz.

Mario Bauzá (4/28/1911 - 7/11/1993) an Afro-Cuban jazz musician who had a career spanning seven decades. Introducing his unique Cuban musical style to the New York City jazz scene , Mr. Bauzá was one of the first musicians to introduce Latin music to the United States. In 1933, Mr. Bauzá was hired as lead trumpeter and musical director for Chick Webb’s Orchestra. During his time with Webb, Mr. Bauzá met fellow trumpeter Dizzy Gillespie and discovered singer Ella Fitzgerald who he brought into the band. Mr. Bauzá continued to work with Mr. Gillespie for several years. The fusion of Mr. Bauzá's Cuban musical heritage and Mr. Gillespie's bebop culminated in the development of “Cubop” one of the first forms of Latin Jazz. As the musical director of Machito and His Afro-Cubans, Mr. Bauzá and the band had a major hit with "Tangá. Music critics believe this was first true Afro-Cuban jazz song or Latin Jazz tune. Mr. Bauzá was the first to explore jazz arranging techniques with authentic Afro-Cuban rhythms on a consistent basis giving it a unique identifiable sound that no other band in the genre of Afro-Cuban-based dance music had at the time.

Language: English

Interviewee

Interviewer

Duration

00:46:01 [Side A]
00:46:03 [Side B]

Identifier

Bauza_Mario_1989-06-02_2A
Bauza_Mario_1989-06-02_2B

Rights

This content is intended for educational purposes only. Material may not be reproduced, copied, modified or adapted without written consent from Centro de Estudios Puertorriquenos Library and Archive (Centro). The creators of this site have made every attempt to identify and obtain copyright clearance on materials presented. Please contact Centro for additional information regarding these materials.

Digital Format

Preservation file: 24-bit/96 kHZ uncompressed WAV file
Access file: MP3

Physical Format

Notes

2 tapes dated 6/2/89, interview in English